Graduated as a doctor by USP specialist on thorax surgery, Ryoki left medicine in 1986 to become a writer. In a short period, he ruled 95% of all the pocket books published in Brazil.

He wrote 999 great tales across six years, together with stories, about farwest, war, cops, spying, love and science fiction.

When he, in 1992, suggested to his publishers an improving in the brazilian´s pocket book graphic appearance, got astonished with the carelessness all of them showed about his project. It wasn´t interesting for any publisher to get his books in condition to reach a really brain-worked public target, do not mention it to compete in a international market.

He gave up than, the pockets to devote himself right to bigger books, better worked ones in the literary purpose and with a higher graphic quality. But Ryoki faced another problem: no brazilian printing-office could breath while publishing and distribute his phenomenal production: about six new titles a month.

Ryoki Inoue has been a target of the main newspapers and magazines all around the world, from "Veja", "IstoÉ", "Manchete", "O Estado de São Paulo", Jornal do Brasil", "Wall Street Journal", "The N.Y. Times", "Der Spiegel", "Lire" and a sort of others, as has been interviewd by TV channels like "Rede Globo", "SBT", "Cultura", "Bandeirantes", "Nippon Television Network", and others. Due his vehment and long Literary production, since 1993, Ryoki Inoue places the International Guinnes Book of Records, as the man who most wrote and published books all around the planet.

When he got to the score of a thousand books, with “E Agora, Presidente?” (prefaced by the journalist Alexandre Garcia), Ryoki decided for a changing on his literary career, leaving behind the pocket books and starting writing bigger romances, published with his own name. His subjects are simply everything, life, day-by-day, social discussions, histories about ordinary people and not so ordinary people.

When seeing Ryoki in the Guinness Book, Matt Moffett, american journalist of the Wall Street Journal, got his curiosity awaken to the writer’s creations process, wanting to see to believe, how someone to produce successful stories in such a small time could. So, he defied the writer and came to São José dos Campos (where Ryoki used to live that time), by the end on January 1996. A week latter, Moffett told was born Ryoki’s book – Sequestro Fast Food, created in one night, more necessarily from 23h30 to 4h – in one of the most famous newspaper in the world.

With 1.075 books, from his own hands, published, his compulsory production didn’t stop ever. Sometimes, he used to write three romances a day, working all night on.

In his opinion, the secret of the creative process is in 98% of sweat, 1% of talent and 1%of luck. Moreover, discipline and application are the motive that make him to be sit in front of his computer and don’t leave until the end of his new job.

Ryoki didn’t stop writing: he produced several romances, worked as a ghost writer to famous people, wrote scripts and, with the objective to perfect his knowledge on the spying field – obviously to make better romances – he dedicated during three years on the research and studying of Competitive Intelligence and he make innumerable books and articles translations for companies of this branch.

Nowadays, Ryoki Inoues’s objective is to produce a romance a year, two in maximum.

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